Body Press (1972)

In the process, the performers are to concentrate on the coexistent, simultaneous identity of both camera's describing them and their body.
The films are projected at the same time on two loop projectors, very large size on two opposite, but very close, room walls.
The camera's angle of orientation/view of the area of the mirror's reflective image is determined by the placement of the cam-era on the body contour at a given moment.
To the spectator the camera's optical vantage is the skin.



Two filmmakers stand within a surrounding and completely mirrorized cylinder, body trunk stationary, hands holding and pressing a camera's back-end flush to, while slowly rotating it about, the surface cylin-der of their individual bodies.
Dan Graham is one of the most significant figures to emerge from the 1960s moment of Conceptual art, with a practice that pioneered a range of art forms, modes, and ideas that are now fundamental to contemporary art. The thrust of his practice has always pointed beyond: beyond the art object, beyond the studio, beyond the medium, beyond the gallery, beyond the self.
You can buy Dan Graham: Beyond.

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