This short is based on the short stories of Edgar Keret. The story is essential in his structure: gun in hand, a homeless man requests a dollar. It was used as proof of concept for the feature film $9.99.
Using refined stop-motion techniques, Tatia Rosenthal orchestrates an existential drama of interlinking and parallel stories, able to make the spectator forget the characters are puppets, creating emotions as if they were flesh and blood actors.
Using refined stop-motion techniques, Tatia Rosenthal orchestrates an existential drama of interlinking and parallel stories, able to make the spectator forget the characters are puppets, creating emotions as if they were flesh and blood actors.
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